Women as victims, public foetuses, isolated uterus: gender technologies, tensions and displacements in the visual representations of abortion in Chile

Authors

  • Lieta Vivaldi Goldsmiths, Universidad de Londres
  • Valentina Stutzin Universidad de Buenos Aires

DOI:

https://doi.org/10.35305/zf.v0i25.56

Keywords:

Considering images as gender technologies, this article aims to explore the campaigns and visual representation of feminist activism in the current dispute for abortion in Chile. We analyse visual initiatives and performances of the feminist, lesbian-femi

Abstract

Considering images as gender technologies, this article aims to explore the campaigns and visual representation of feminist activism in the current dispute for abortion in Chile. We analyse visual initiatives and performances of the feminist, lesbian-feminist and sexual dissidence activism that show a displacement and problematisation in respect to certain visual and representational politics that we consider ‘humanitarian’ and victimizer - from those against abortion and hegemonic feminisms.  In particular, we focus on the construction of three political signs: women as victims, isolated uterus and public foetuses.  

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Author Biographies

Lieta Vivaldi, Goldsmiths, Universidad de Londres

Candidata a doctora en Sociología, profesora asistente departamento de sociología

Valentina Stutzin, Universidad de Buenos Aires

Estudiante de Antropología Sociocultural. Universidad de Buenos Aires (FFyL-ICA)

Published

2018-01-16

How to Cite

Vivaldi, L., & Stutzin, V. (2018). Women as victims, public foetuses, isolated uterus: gender technologies, tensions and displacements in the visual representations of abortion in Chile. Zona Franca, (25), 126–160. https://doi.org/10.35305/zf.v0i25.56

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Section

Dossier